ABOUT
 
Lyrics

TESTIMONIALS


Billy Cobham
Mekaal Hasan has impressed me with ideas that are unique to rock, pop and fusion. I first came upon his work through a mutual friend who asked me to take a listen to a young composer from Pakistan. I had immediately pigeonholed him to be folkloric in background but was shocked to hear what was on tape. Ever since i have been a fan of Mekaal Hasan and hope to co-produce a portfolio of his work.


Pete Lockett
Rarely do you get a great virtuosi talent who equally combines improvisation, composition and flair. Mekaal is one such musician and is sure to make a great impact. Listen out for him!



Brian O' Connell


I had been working in Pakistan for nearly seven years with Junoon, before I even heard of Mekaal. All I heard was that there was this kid in Lahore who had a studio with the facility to record live drums. We spend a month in his studio recording "Parvaaz". It was during this time that I realized Mekaal's talent as a recording engineer and as someone who had a good understanding of music. It wasn't until we completed our album that Mekaal humbly asked if I would be interested in hearing his material. The material which he played for me soon made me realize that Mekaal was more than an engineer. Being a guitar player myself, I was immediately impressed with his virtuosity and compositional blend of eastern and western influences. I heard flavours of some my favorite heroes, Allan Holdsworth, Steve Vai and Steve Morse in a unique "Masala" mix which often reflected the local flavour of the sub-continent. The track are intricate, intense and crisply produced and are certainly not for easy listening or dance music enthusiasts.
Mekaal's compositions journey through different textures from the balled-like "Paths Crossing" and "Fall from Grace" to the flash of "Pantagruel". Tunes like "Square one" and " Pointblank" groove well with a shuffle feel and guitar work which is reminiscent of Steve Morse. Since getting to know Mekaal, I've become a fan of his music as well as his production talents.


 
AWARDS

Lux Style Awards 2007

  • Award for Best Live Act



The 2nd Jazz IM Awards

  • Award for Best Alternative Track, Sajan

  • Nominated for the Best Album.



The 3rd Jazz IM Awards

  • Award for Best Alternative Track, Jhok Ranjhan

  • Award for Best Composition of the Year



The Musik Awards

  • Award for Best Live Act



Lux Style Awards

  • Award for Best Live Act

  • Nominated for Best Album


 
HISTORY

In March 2001, Mekaal collaborated with world renowned percussionist, Pete Lockett in a series of concerts countrywide featuring music written for Pete and classical artists by Mekaal. Pete Lockett has been featured on tour and on records by Peter Gabriel, Bjork, Robert Plant, Simply Red, Afro-Celt Sound System and many others as well as on Hollywood movies such as the 2 James Bond movies, "Tomorrow Never Dies", "The World Is Not Enough", as well as "The Bone Collector" and "The City of Angels". The music played in these concerts was a unique experience for all as this was the first time in the history of live performances in Pakistan, that material written by a Pakistani musician for foreign artists was used. Following the artistic and public acclaim that the music received, Mekaal decided to continue writing music which would feature different classical and experimental artists who could contribute to the progressive and bold nature of the music that MHB plays - which is a fusion between the melodic sensibility of the East and the harmonic sophistication of the West. Mekaal Hasan Band features the artistry of musicians from Pakistan and abroad,  and with fellow bandmates Javed Bashir on vocals and  Mohd. Ahsan Papu on flute, The Mekaal Hasan Band is continuing to explore this exciting blend of East and West, in a series of live performances, studio recordings and videos that are drawing music enthusiasts in large numbers.
 

 
SAMPOORAN CONCEPT

The tunes on Sampooran were written incorporating traditional material from the eastern classical tradition and adapting these with music which was based on the jazz rock fusion explosion of the seventies. To this end, the album features two Shah Hussain Kaafi's, Raba and Sajan , two traditional classical ragas, Ya Ali, associated with Ustad Salamat Ali Khan and composed for the most part,in Raag Verag Todi, along with Raag Darbari (Yaray Mun Biya Biya), which is most closely associated with Ustad Amir Ali Khan Sahib of Indore. The great poetess Amrita Pretum, is paid a loving tribute by a unique rendition of Waris Shah, set in Raag Mehg.
Raag Charokashi, is featured in two tracks, namely the instrumental Late Moon and the tune Sanwal, which features lyrics by Farhat Abbass Shah. Finally, the title track, Sampooran is written in Raag Aiman, and incorporates the progressive nature of this band by moving through a few time signatures and themes before resolving to its main melody which each soloist uses as a cue for the start and end of his solo.

 
 
LYRICS

Sajan


Sajan Day Huth Baan Assadi
Key Ker Aakhan Chad Way Adia

Raat Anairey Badal Kanian
Baaj Wakeelan Mushkil Banian
Dahday Kita Sud Way Adia
Kay Ker Aakhan Chad Way Adian

Nith Bhurnay Chutya
Eik Din Ja Sain Chad Wairia
Kahay Hussain Fakeer Sain Da
Nain Naina Naal Gud Way Aria


Waris Shah

Aj Aakhan Waris Shah Nou
Kithoun Kabran Wichoun Bol
Kay Aj Kitab Ishq Di Da
Koi Agla Warqa Phol

Uth Durd Munda Dia Durd Dia
Uth Tuk Apna Punjab
Aj Bailay Lashan Vishian
Tay Lou Di Pari Chenab

Jithay Wajdi Si Phook Piyaar Di
Ao Wanjali Gai Gavach
Ranjay Day Sabay Vair
Aj Phul Gayay Uss Di Jach

Dhurti Tay Lou Vichia
Kabran Piyaan Choun
Preet Diyan Shehzadian
Aj Wich Mazaran Roun

Aj Sabay Kaido Bun Gayay
Husan Ishq Day Chor
Aj Kithoun Lay Aiyay _ Lub Kay
Waris Shah Eik Hor


Raba

Raba Mairay Haal Da Mehrum Toun

Ander Tow Hai Bahir Toun Hai
Roam Roam Wich Toun
Raba Mairay Haal Da Mehrum Toun

Toun Hi Tana, Toun Hi Bana
Main Naahein Sub Toun
Raba Mairay Haal Da Mehrum Toun

Kahay Hussain Fakeer Sain Da
Main Nahein Sub Toun
Raba Mairay Haal Da Mehrum Toun


Sanwal

Kabhi Aa Mil Sanwal Yaar Way
Mairay Lou Lou Cheikh Pukaar Way

Meri Jindhri Hui Uddas Way
Maira Sanwal Aas Na Paas Way
Mughay Milay Na Chaar Ka Haar Way

Tujh Hurjai Ki Bahoun Main
Aur Piyaar Preet Ki Rahoun Main
Main Tow Bethi Sub Kuch Haar Way


Darbari

Yaaray Mun Bia Bia, Yaray Mun Bia
Day Ray Na Tum Ta Na Na Tum Ta Na Na Na
Yaaray Mun Bia Bia, Yaaray Mun Bia
Balabum Raseeda Janum
Tu Bia Kay Zinda Manum
Pus Aza Kay Mun Na Manum
Pa-Chakaray Khali Aamun

Sampooran

Ay Ri Ay Ri Aali Piya Bin
Piya Bin Mohay Naahein
Chain Na Aaey
Aali Aali Piya Bin

Ya Ali


Ya Ali Mushkil Kusha
Mushkil Kusha Ki Jiyay

Ghareeb Jaan Keh Har Aik Ne Mujh Ko
Taal Diyaa
Tum Apnay Dar Se Na Taalo Mujhey
Ghareeb Nawaz

Gar Tum Karo Gay To Karam Kon
Karey Ga
GarTum Na Sunno Gay To Meri Kon
Sunay Ga


© 2004 Mekaal Hasan Band | Design by Company42 | FAQ's
 

Sampooran Enhanced CD



Live at GC



FTC Sound Check Clips


FTC Testimonials


Late Moon Jam

 
 
 
 
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